This thesis analyzes the Revolutionary-era plays of Robert Munford and Mercy Otis Warren. Munford's two comedies, The Candidates and The Patriots, are compared to Warren's three earliest satires, The Adulateur, The Defeat, and The Group, in an effort to explain some of the differences between these two authors. The original printings of these plays from the Early American Imprints series, as well as more recent scholarship on Munford and Warren, are used to investigate the plays and lives of these playwrights.