Negro spirituals are songs created by the Africans who were captured and brought to the United States to be sold into slavery.

History and context of the Grinnell College Libraries' Black Library.

Using Gambia as the location, the author explores the question of whether it is possible for Human rights organizations to work with/alongside authoritarian regimes to benefit the people in the country.

While the depth of a room in a building has often been found to lead to reduced interaction, this was not the case in Noyce Science Center in May, 2009. Facilities available to students were important to room use, and corresponded, in part, to student opinion on study preferences. While study areas separated the science majors, they did not exclude non-majors and underclassmen. In fact, more non-science-majors use study areas in Noyce than do science majors, though science majors spend more time in these.

Alumni memories of Grinnell College reveal the importance of social spaces and the centrality of the people at Grinnell to creating a sense of place.

An examination of the Forum and JRC grills using interviews and GIS data suggests that both architecture and experience are important and interrelated factors that shape perceptions of atmosphere, with experience playing a particularly influential role for people who have memories that they associate with place

In this paper, I map out an analysis of two queer films: Bruce LaBruce’s The Raspberry Reich (2004) and Ulrike Ottinger’s Freak Orlando (1981). I examine both films’ representations of revolutionary desire and contextualize these images within the framework of the antisocial turn in queer theory.

In 1992, B. Ruby Rich coined the term New Queer Cinema to describe a cycle of films in the late 1980s and early 1990s that broke with conventional cinematic practices to show rethought subjectivities, generic subversions, and revised histories. New Queer Cinema, however, saw little of the same bursts of innovative directors and their films after 1992. This lag in revolutionary filmmaking left many evaluating queer cinema’s current state, even mourning the supposed end of New Queer Cinema.