LASR Search: English, Grinnell College

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Primitive skills in the modern world

The first year tutorial, taken in the fall semester, is Grinnell College's only general academic course requirement. The college intends the tutorial to assist students in further developing their critical thinking skills and in improving their written and oral communication skills. Each of the tutorials offered in a given fall semester is based around a particular subject matter, which provides the vehicle by which the above goals are accomplished. Modern popular culture is seeing a revival of interest in primitive skills.

Exploring the antisocial thesis in queer Theory

In this paper, I map out an analysis of two queer films: Bruce LaBruce’s The Raspberry Reich (2004) and Ulrike Ottinger’s Freak Orlando (1981). I examine both films’ representations of revolutionary desire and contextualize these images within the framework of the antisocial turn in queer theory.

Zionism, liberalism, and young American Jews: how redefining the American Zionist could help bring peace to the Middle East

American Jews as a group have been defined, politically and historically, by both their commitment to American liberal values and their affinity for the State of Israel. However, recent studies suggest that younger American Jews are becoming increasingly alienated from the Jewish state. This paper seeks to explain this trend in the context of the historical and political experience of the American Jewish community. More specifically, the analysis presented shows that young American Jews are disillusioned by Israeli policies that belie their liberal values.

Freedom

Is freedom the "natural" condition of humankind, as some theorists maintain, or are humans subject to forces over which they can exercise little control? Indeed, do humans covet freedom at all, or do they, as Dostoevsky has the Grand Inquisitor say, prefer to abandon their freedom in favor of happiness? From numerous perspectives, both classical and modern, this tutorial will examine freedom and itslimitations.

Beast and Beauties: Monstrosity and Romance in Literature and Film

The first year tutorial, taken in the fall semester, is Grinnell College's only general academic course requirement. The college intends the tutorial to assist students in further developing their critical thinking skills and in improving their written and oral communication skills. Each of the tutorials offered in a given fall semester is based around a particular subject matter, which provides the vehicle by which the above goals are accomplished. Explores literary analysis through fairy tales and Gothic fiction

Color culture and class

Race thinking dominates ways in which people in the United States differentiate groups of people from each other. This tutorial focuses on associations between color and culture in order to examine how racial meanings are constructed and made comprehensible as well as how they are routed through representations of class. Using a combination of texts -- academic articles, films, newspapers and advertisements -- we will explore representations of "whiteness," blackness," and other "race-d" identities in the public arena.

Preservation and place in the north Grinnell Historic District

Following an extensive research and documentation process, the Grinnell Historic Preservation Commission, the Grinnell Historic Neighborhood Association, and additional volunteers received good news in December of 2008: Their efforts to put the North Grinnell Historic District on the National Register of Historic Places had been successful. This area is made up of a 3.5 by 5-block rectangle bordered by Park Street, 6th Avenue, West Street, and 11th Avenue (Map 1).

New Queer Cinema Today: Film and the critique of neoliberalism

In 1992, B. Ruby Rich coined the term New Queer Cinema to describe a cycle of films in the late 1980s and early 1990s that broke with conventional cinematic practices to show rethought subjectivities, generic subversions, and revised histories. New Queer Cinema, however, saw little of the same bursts of innovative directors and their films after 1992. This lag in revolutionary filmmaking left many evaluating queer cinema’s current state, even mourning the supposed end of New Queer Cinema.