When they first came to North America, the Moravians--a pietistic, Germanic Christian sect--settled in isolated communities where only a few people ventured out to do missionary work for the community. They separated themselves from their non-Moravian neighbors, one missionary community serving the North from its seat in Bethlehem, Pennsylvania, and the other serving the South from Salem, North Carolina, and neither participating in civic or military life.

This thesis analyzes the Revolutionary-era plays of Robert Munford and Mercy Otis Warren. Munford's two comedies, The Candidates and The Patriots, are compared to Warren's three earliest satires, The Adulateur, The Defeat, and The Group, in an effort to explain some of the differences between these two authors. The original printings of these plays from the Early American Imprints series, as well as more recent scholarship on Munford and Warren, are used to investigate the plays and lives of these playwrights.