This thesis explores the multi-faceted and complex negotiations that took place between Bulgaria and Europe’s major alliance systems at the start of World War I as both groups attempted to convince Bulgaria to enter the conflict on their side.

In 1890, Germany and Great Britain concluded the Treaty of Helgoland-Zanzibar, which settled many of their numerous and complex colonial issues in Africa. The territorial exchange of British-held Helgoland and German-held Zanzibar, which was part of this agreement, had a major impact in its finalization. Indeed, without the Helgoland- Zanzibar swap, such a treaty most likely would never have occurred. Many hoped that the Helgoland-Zanzibar agreement would usher in a new era in Anglo-German friendship and, perhaps, lead to a formal alliance.

The ORE is phenomenon whereby recognition for own race faces is better than recognition of other race faces. This study examines how non-perceptual factors—social context, attitudes, and experience—impact the ORE. Participants from three different racial groups (Caucasian, Black, Asian) completed a face recognition task screening faces for status-specific targets (baseline, perpetrator, victim), self-report measures of explicit bias and experience with members from other races and a measure of implicit bias. Results indicated that non-perceptual factors impact the ORE.

Patients with category-specific visual agnosia (CSVA) often exhibit a disproportionate difficulty recognizing objects from biological categories due (in part) to the fact that exemplars from biological categories tend to be visually and conceptually more similar. Similarity is often conceived of as a pairwise property (i.e., in terms of distance in a psychological space matrix), but may be more accurately conceived of as a setwise property (i.e., in terms of shared features).

The Unity School of Christianity’s theology shares key characteristics with Aristotle’s philosophical worldview, which have enabled it to meet the challenges of twentieth century America.

Seventy-seven men were asked to serve as Generals during the Revolutionary War by the Continental Congress. These men came from such disparate backgrounds that it may seem surprising that they could unite in such a dangerous venture as a rebellion against Great Britain. This thesis explores the military history of the Revolutionary War through the framework of these seventy-seven men by providing biographical sketches of each and drawing from these sketches to create a list of factors which affected their service in the war.

This thesis covers the involvement and influence of the Methodist Episcopal Church, South in Virginia during the Civil War. Because the Methodists were the largest religious denomination in the South at the onset of the war, the Church was in a position to offer support and to shape the opinions of the Confederate people. Using sermons, religious tracts, newspapers, and letters, this study demonstrates that the majority of the Church supported the Confederacy and its aims.

William Shakespeare reinvents the speaker of his Dark Lady sonnets as Antony of Antony and Cleopatra, with the former’s hesitant appreciation of the benefits of a “lying,” lustful relationship reconfigured into the latter’s total embrace of an edifying, creative mutuality. This represents an important philosophical shift in Shakespeare’s view of aesthetics: where in the Dark Lady sonnets, the speaker chastises himself for feeding his desire with lies and self delusions, Antony, his parallel, believes that the love he and his queen have created is somehow noble, even ideal.

The present study attempts to offer an overview of the Post-Soul aesthetic and its role in re-writing African-American identity and focuses explicitly on three authors: Spike Lee, Touré, and Suzan-Lori Parks. My premise is that Post-Soul art is a direct result of the sweeping changes brought by the post-Civil Rights era in the African-American mentality, which inaugurated a new age in African-American art. Thus, the Post-Soul generation represents blackness as diverse, free to define itself in its own terms; they promote a critical take on black nationalism, and new perspectives on slavery.

This thesis analyzes the Revolutionary-era plays of Robert Munford and Mercy Otis Warren. Munford's two comedies, The Candidates and The Patriots, are compared to Warren's three earliest satires, The Adulateur, The Defeat, and The Group, in an effort to explain some of the differences between these two authors. The original printings of these plays from the Early American Imprints series, as well as more recent scholarship on Munford and Warren, are used to investigate the plays and lives of these playwrights.